DEFINING SCIENCEHUMANITIES
SPECIAL ISSUE
Front Matter
JLS 10.2 (2017)
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James Castell, Keir Waddington & Martin Willis, “ScienceHumanities: Introduction.”
JLS 10.2 (2017): 1-5 DOI: 10.12929/jls.10.2.01
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Prelude
Martin Willis, Keir Waddington & James Castell, “ScienceHumanities: Theory, Politics, Practice.”
JLS 10.2 (2017): 6-18 DOI: 10.12929/jls.10.2.02
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Triangulations
Catherine Belling, “Arts, Sciences, Humanities: Triangulating the Two Cultures.”
JLS 10.2 (2017): 19-25 DOI: 10.12929/jls.10.2.03
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Anton Kirchhofer & Anna Auguscik, “Triangulating the Two Cultures Entanglement: The Sciences and the Humanities in the Public Sphere.”
JLS 10.2 (2017): 26-37 DOI: 10.12929/jls.10.2.04
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Des Fitzgerald, “Inter/Experiments.”
JLS 10.2 (2017): 38-44 DOI: 10.12929/jls.10.2.05
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Technologies
David Clifford, “A Long Anthropological Perspective on the Humanities.”
JLS 10.2 (2017): 45-54 DOI: 10.12929/jls.10.2.06
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Chris Otter, “Encapsulation: Inner Worlds and Their Discontents.”
JLS 10.2 (2017): 55-66 DOI: 10.12929/jls.10.2.07
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Bradon Smith, “Speculate, speculation, speculative: What can the Energy Humanities do?”
JLS 10.2 (2017): 67-73 DOI: 10.12929/jls.10.2.08
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Dan Cordle, “Sciences / Humans / Humanities: Dexter Masters’ The Accident and Being in the Nuclear Age.”
JLS 10.2 (2017): 74-87 DOI: 10.12929/jls.10.2.09
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Practices
Leah Knight & Alison Mark, “Elephants in a Room of Our Own: Scientists, Humanists; Collaboration, Communication; Rhetorics, Realities.”
JLS 10.2 (2017): 88-105 DOI: 10.12929/jls.10.2.10
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Charlotte Sleigh, “Contexts of Encounter: How and Where to Criticise Art and Science.”
JLS 10.2 (2017): 106-112 DOI: 10.12929/jls.10.2.11
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Janine Rogers, “Pluralised Humanities and Learning from the Past.”
JLS 10.2 (2017): 113-121 DOI: 10.12929/jls.10.2.12
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Laurence Talairach, “Liminal Spaces: Literature, Film and the Medical Museum.”
JLS 10.2 (2017): 122-127 DOI: 10.12929/jls.10.2.13
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Coda
Robert Mitchell, “Smartness, Contemplation, and Slow Research.”
JLS 10.2 (2017): 128-139 DOI: 10.12929/jls.10.2.14
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Article Reviews
Haythem Bastawy, Review of Caroline Sumpter’s “‘No Artist has Ethical Sympathies’: Oscar Wilde, Aesthetics, and Moral Evolution.”
JLS 10.2 (2017): 140-141 DOI: 10.12929/jls.10.2.15
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Stephanie Codsi, Review of Gregory Tate’s “Keats, Myth, and the Science of Sympathy.”
JLS 10.2 (2017): 142-143 DOI: 10.12929/jls.10.2.16
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Kimberly Cox, Review of Clare Stainthorp’s “Activity and Passivity: Class and Gender in the Case of the Artificial Hand.”
JLS 10.2 (2017): 144-145 DOI: 10.12929/jls.10.2.17
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Andreea Ros, Review of Christopher D. Kilgore’s “Bad Networks: From Virus to Cancer in Post-Cyberpunk Narrative.”
JLS 10.2 (2017): 146-147 DOI: 10.12929/jls.10.2.18
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Jesse Zuba, Review of Cassandra Laity’s “Eco-Geologies of Queer Desire: Elizabeth Bishop’s Love Poetry and Charles Darwin’s Beagle Geology Travel Narratives.”
JLS 10.2 (2017): 148-149 DOI: 10.12929/jls.10.2.19
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